Wigmore Hall Study Group
13, 18 and 20 September at 3.00pm
The Chamber Music of Jean Sibelius

Although the Sibelius symphonies have long enjoyed a central position in British concert life, Sibelius's chamber music and songs are less well known. Over three afternoons, participants will focus on Sibelius's piano music and songs with contributions from visiting Finnish musicologists and performers, while also considering the fascinating reception history of Sibelius's music in Britain.

Hosted by composer Julian Philips.

Tickets: £50 for all three sessions

Call the Wigmore Hall Box Office on 020 7935 2141 for tickets
 
Folke Gräsbeck, piano lecture-recital at a private London residence
20 September at 1.00pm
Jean Sibelius: 221 piano pieces,
development of style and motifs


"Did the scent of water-lilies create the famous Sibelian sixth chord?"

Folke Gräsbeck will show how some of the main features of Sibelius' mature stylistic periods are pre-shadowed in his youthful works for piano. The main collection of 118 original piano pieces are going to be discussed in relation to around 40 (mostly) unpublished young pieces for piano, 14 later original piano pieces without opus numbers, and 49 original transcriptions.

Call the UK Sibelius Society on 020 8715 7659 to reserve your place
 
'The Profound Logic' - Inner Circle Seminar
Tue, 30 November

Alessandra Comini, Anthony Stadlen and Aantti Vihinen conduct an Inner Circle Seminar "THE PROFOUND LOGIC", SYMPHONY AND PSYCHOTHERAPY, SIBELIUS AND MAHLER: HELSINKI 1907

Sibelius said they had discussed the great questions of music with "life and death" intensity. Sibelius said that he had praised the symphony for "the profound logic that creates an inner connection between all the motives", but that Mahler had said:  "No! The symphony must be like the world. It must embrace everything. The link between the revolution in music in the first decade of the twentieth century and psychoanalysis is well known. Mahler consulted Freud in 1910, and Freud said he had never met anyone who understood psychoanalysis so quickly. Sibelius was also well informed on these developments, and called his fourth a "psychological" symphony.
Are Sibelius's and Mahler's notions of symphony truly contradictory? Is authentic psychotherapy a kind of symphony, that reveals both a person's being-in-the-world and the profound logic that connects all its motives?

Cost: students £88, others £110 for seminars IN ADVANCE; some bursaries; no refunds unless seminar cancelled.

Venue: Room F, Acland Building, Regent's College, Inner Circle, Regent's Park, London NW1

Apply to: Anthony Stadlen, "Oakleigh", 2A Alexandra Avenue, London N22 7XE
Telephone: +44 (0) 20 8888 6857  Email: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it
 
smtwtfs
September
  9  10  11  12  13  14  15
 16  17  18  19  20  21  22
 23  24  25  26  27  28  29
 30   1   2   3   4   5   6
October
 30   1   2   3   4   5   6
  7   8   9  10  11  12  13
 14  15  16  17  18  19  20
 21  22  23  24  25  26  27
 28  29  30  31   1   2   3
November
 28  29  30  31   1   2   3
  4   5   6   7   8   9  10
 11  12  13  14  15  16  17
 18  19  20  21  22  23  24
 25  26  27  28  29  30   1
December
 25  26  27  28  29  30   1
  2   3   4   5   6   7   8